Maria Edgeworth

Maria Edgeworth (1 January 1768 – 22 May 1849) was a prolific Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe.^[1] She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo.

Frances Burney

      Frances Burney (13 June 1752 – 6 January 1840), also known as Fanny Burney and, after her marriage, as Madame d’Arblay, was an English novelist, diarist and playwright. She was born in Lynn Regis, now King’s Lynn, England, on 13 June 1752, to musical historian Dr Charles Burney (1726–1814) and Mrs Esther Sleepe Burney (1725–62). The third of six children, she was self-educated and began writing what she called her “scribblings” at the age of ten. In 1793, aged forty-two, she married a French exile, General Alexandre D'Arblay. Their only son, Alexander, was born in 1794. After a lengthy writing career, and travels that took her to France for more than ten years, she settled in Bath, England, where she died on 6 January 1840.

James Macpherson (1736–96) was the first Scottish poet to gain an international reputation. Claiming to have found poetry written by the ancient bard Ossian, he published translations that acquired international popularity, being proclaimed as a Celtic equivalent of theClassical epics. Fingal, written in 1762, was speedily translated into many European languages, and its appreciation of natural beauty and treatment of the ancient legend has been credited more than any single work with bringing about the Romantic movement in European, and especially in German literature, through its influence on Johann Gottfried von Herder and Johann Wolfgang von Goethe.^[112] It was also popularised in France by figures that included Napoleon.^[113] Eventually it became clear that the poems were not direct translations from the Gaelic, but flowery adaptations made to suit the aesthetic expectations of his audience.^[114] BothRobert Burns (1759–96) and Walter Scott (1771–1832) were highly influenced by the Ossian cycle.